Володимир Білик

Poem to be written down longhand

WWWWWWWW ww www`WWWW`W.wW. WWW.wwWW

wW`WWwwwwwWwW''w w..wW WWw`Wwwwwwwwwwwww

wwwwwwWwWw 'ww`WWwWw'ww`'wW'wW'w

w.Ww.Ww..WW.wwWwW.WW. WWWWw w`WWWw.WWwwwwww

wwwww'wWwww`w'WwwW.w.WwWWW.wWWWWW'W

 

W`.WwWWww WWWWWWWWWW'wWw `WW`W.wWww.WwW

WWwwW. .wwwwW `WwW'.WWw.wWWWwWw.

MMMMMMMMmm mmm`MMMM`M.mM. MMM.mmMM

mM`MMmmmmmMmM''m m..mM

MMm`Mmmmmmmmmmmmm mmmmmmMmMm 

'mm`MMmMm'mm`'mM'mM'm m.Mm.Mm..MM.mmMmM.MM.

MMMMm m`MMMm.MMmmmmmm 

mmmmm'mMmmm`m'MmmM.m.MmMMM.mMMMMM'M

M`.MmMMmm MMMMMMMMMM'mMm `MM`M.mMmm.MmM 

MMmmM. .mmmmM `MmM'.MMm.mMMMmMm.

***

Poem of Pulling the air and moving the lips.

Ee'E.`E EEee.eeeEeE.E e.EEee.e

EE

EeE.eeEe.E`EE` eEe'EEEEEEEEEE eeEEeE.`E

E'EEEEEe.EEEeE.e.EeeE'e`eeeEe'eeeee

eeeOeOeOeOEOEO.OeOEoEoE `oeo oe`EOEOEOEO

`.OE.Eo.OE.e EOeOeO..EoEo.O.Oe

Eo.Oe`EO.Oeo oeo'oEoeO'oEOe'''`oe eo'.e.EoeOE

E

`OeOeo'`

O oeoEoeoEoeoeoeoeoeoeo oe eoeoeoeoeoeoeOeoeOeoe E

`'eoEoE`

O

OEoeO.o.'eo oe`'''oEOe'EoeOe'eoe eoE.EO`oE.eO

oE.E.eOeO..EoEoEO o.OE.eO.OE.`

EOEOEOEO`oe eoe` OeOeOEoE.EOEOEoEoEoEo

o

o. o

OoooOoOoOoo'.ooOOoOo.o'`Ooo'OO`o oOOo.ooo.oO.o O.OOOo.ooOOOO

O OOOo'OO.

o

oOO`o..OOo`OOOOo`o  oOOOoO'OOOOOOO

Jim Leftwich

Call It Anything, said Miles Davis

"orthography is syntax"

--1.

reap centu the wo-ba

editor Amerix

communr edir the

wor the. to create a

special coat

incorporatir of wort

art historians on

the barge of the

soud, during styles

and abstract snacks.

worl readymade

universal salad

sails snail, fearless

and dilution, the

lake. dolls dripping

the granite bird

sepul-vi ephemeral

one explained

broader, window

onto the continuous

road, who lessons

less their lettuce.

lest there lettuce,

tracks howling by

a future, heft is

a smoke to, paper

decolonized, in

conversation with

your secular dreams.

resurfad fashi

discussior are-futu

liber consumerist,

agenda after whid

P-math Latin some

same Bermuda

rectangles of

capitalist art,

told you last week

just as plain as

a man can speak,

equanimity parallel

intellects recombine

overt lettersponge

"Coat of the Deft"

an heralde

therefore whose

the initia, radicak

or cereal they,

among o theat fire.

changing clang a

sound-fire the

tubes the hose the

interfere referee

the cr slowly

referent how each

peach beach

approaches poached

cockroach-processed

and contr varietyx

in the sea snoring

shores, direct

laundry, on our

toes and running

between the four

sonnets, bowling

lotion, boiling

notions in keeping

with the city

(idea) capital A

"art-ists"

nothing but the

question their

expects in events

standardized by

there forms

between social

as coinciding

ever sinc by the

become-practices

spiders, streets,

"ahistorical

enclosure of the

poem-object"

bones blossom on

the corner at

midnight.