Sunday, December 15, 2013

Ionuț Ionescu

Je me suis assis a coté de moi
mais je ne pouvais pas regarder en haut
ou en bas
où rien ne se passe

le fil tendu de l'incongruence
nous rettrape en hors de la cave
sans pouvoir récupperer les ossements
et toujours on cherche des parois pour y redescendre

Thursday, December 5, 2013

John M. Bennett

Displaying JMB 10 15 2013_0001.jpg

Jim Leftwich

also defends our 2001 are stone notion
transforming th recl brink. Nost Agress
will hoc into knov with ar presepro gress col capital
graze. interpretations of v borders in
trapeze fou tab
manifesto s derelictan experience of
China a sped Jet and 2
carolina compux divides
blur. t

Aix8 ish is one the Arctic Axle only
motel ||| Dairs
 Osliod gans
bal sunlp
  corp Sitra
  banana, Bermuda, Oz.
Good enough.
Ganl durgd
 abacptez ukule
    Xor mulp
or d, 4 or cl, ||| 2 Zand, c, Zank.

soliluq g somehow Ohanmllan
rat, gutnail
rat, gohnuph
  today no, hurry a--
baking very blueberry vocabulary.
T-nwhag tuna Turha, Silllliu,
door, doir, doru,
  Mahoghany Montario 7
  gbosa hogam--\
wanderlust, Arbitration,,

Ah hanhar yepu yam grepuni
 8 dehydrator spongesizzle
shrinkwarp dry dogeared
  cellophane tulip satrap
druxq mousetrap 7 jaip
nah muh nail mailer layer lawyer.
 again 6 ibis ibid obs.
 surv doorknob toolshed pool table.
huvur ovir portabella,
cello polyphonic history,
 to Zong
Lat g, 2rek Spziek.

chin cohu mnunq muraq pumruq
  malh of fest
Larmber, leumled
  Ahov Ghor Mauvnd Miarl el
Simurhlum Amheist
    cen cern A|wauys
family cigar signatory grint.

alug muiq ii imi And arnd
  o5 peurry westerly esu
braid rubena
,   sulphur
(prairie goats on fire).
and rainfall in a barrel
after the waterfall
brell rid road rod knell
knelt nalt raib mib null,
pyrjasm proxy prey.
thattabbout p----hasbest
   Eui tui sLim Emu glut glot
sLit Aim g<
eo----------harn heruful ,d

Sunday, November 24, 2013

Mark Sargent


Lost track, the nations traversed
blurred to a lagooned island where
not skin but razor wire caressed
into four figures of the Xristo
a Da Vinci anatomy rendered Guantanamo
or fail to eat those
gaps in the unutterable
so he set the Thames on fire,
filled his emptiness with burning water,
lungs by Turner by way of Pollock,
city by Richard Serra.

T turns and says, You see, I was raised by wolves.
V nods, Civil servants here.
School teachers.

Genius rodents in livery.

By ‘continuity’ I imply a certain elasticity,
she said, our attention probes pliability,
a short puncturing of parameters
through visual massage.  Her fingers worked
the space before us, a hysteric priest
with the body of heist.

T insists, I was raised by wolves.

The conversation autopsy reveals
that all was prologue, spaz-zap nickel & lime
spun out fine as vanishing rain
jackdaw beak
prudence worms souvlaki’d with spent Bics
arranged hollow-savior-fashion
knuckle peelings in jars
arranged by crones in leotards

Wolves, I tell youand they were all
deeply into Marc Chagall
and the old joke about Zionist tourniquets.

Skin of drum, trickle of insect escape from the ear,
each bug a false memory, a betterment, a lie lozenge
acrobated by tongue to facilitate the rewrite.

Opposing forces pushing into the shape of face,
yours or the nomenklatura lining up for
sprinkles of smoked sturgeon on
a hard rye dissident,
a smudge of mustard
and the envy of neighbors
stretching till the cows get lost.

There are lists and this is one.
Not a ‘who gets what’ but a
‘what is done to whom’ a
‘not why but when’ a
‘in case of emergency break first’
the heads of the undecided.

But I was raised by wolves.

Eleven heads turn to ask, And?

They licked my bum till it was clean.

Saturday, November 16, 2013

Mark Sargent

 LETTER FROM GREECE#12: Hotting up

Fifty years ago, June 10th, 1963, Thich Quang Duc, a Vietnamese Buddhist monk, took his seat and set himself on fire, putting to lie the U.S. claim that the protests against the Diem government were on the wane.  Five months later Diem was dead, victim of a military coup.  


If the future is anything like some of the Sci Fi movies suggest, humans zipping about the cosmos encountering strange beings from wherever, who, miraculously speak English and resemble carny hustlers from 50’s America, except that they’re reptiles with antenna, then think of the market for English language poetry!  A poem could get a billion hits.  Now, if there were a billion spasms of consciousness digging one poem, how many publishers would it take to turn a donkey into a satellite dish?  


From Tuesday, the 18th of June: “Afghan forces must operate without American air support, medical evacuation helicopters or partnered combat units.”   So, surprise, the Taliban is eating their lunch and casualties have exploded.  How long do you think these guys are going to keep showing up for work? 


ERT, the now renegade public broadcasting network of Greece, is still streaming live over the internet while its fate is decided in the courts and corridors of power.  Most if not all will eventually lose their jobs, but a temporary reprieve of two months is being discussed.  But what the reprieve will really mean is anybody’s guess.  


"We are present at the beginning of the end of the Argentine model, which is not sustainable anymore," he said, "and so (Argentina) is taking measures that oblige Argentines to buy dollars in our country and generate a flight of currency.”  Paraguay's Economy Minister, Manuel Ferreira Brusquetti.
I would imagine that having a large segment of the population trying to finesse a volatile currency market would drain a lot of energy from an economy.  I dread the chaos if Greece leaves the euro and returns to a new drachma.  It might be the right move, in the long term, I really don’t know, but I think I have a pretty good idea how bad the implementation of that act will, at least initially, be.  Countries only do this when there’s no way out.


35.5 in Sparti today, that’s about 96 Fahrenheit in Yankee temperatures.  It always sounds hotter in F, even after more than 23 years here.  On the other hand, 0 here is 32 in Dubuque.  I like it hot.  It brings with it a loosening of body, a deep relaxation.


I’m down at the video store and my guy says, as I slap down Les Miserables on the counter, “It’s a musical.”  Duh, dude.  And I say, “What, you think I just fell off the karpousi (watermelon) wagon?  I go to New York.  I see Broadway shows.  Fuck, I’ve even read the book.  Come on, a little respect.”  He laughs.  Expecting that is folly.  He has no way of knowing that I was raised on Broadway musicals and, of all things, opera.  My grandfather could, I’m told, play guitar and sing, but it is safe to say that there wasn’t much music in my father’s dirt-poor childhood.  But somewhere along the line he heard some opera and dug it.  So he built himself a stereo (I’m not making this up.), bought some LPs and turned himself into an opera buff.  I have very fond memories of being on our sailboat drifting on the bay during a windless Saturday listening to the Texaco live broadcast from the Metropolitan Opera in NYC.  Sounds like an aristocratic New England WASP vision, but we don’t have a drop of that kind of blood, I’m happy to say.  Nevertheless, I’m not comfortable with the wide disparity between our financial situations, the video-guy and I.  It’s a crucial question in these postings, how to reconcile this?  How to be proactive with these resources?  How to be smart and compassionate with my overwhelming material advantage?  The movie sucked.  M & I were astonished at how lousy the songs were.  This was a big international hit for years?  Of course, so was Mama Mia!, and that was well beneath dreadful.


The defense in the ongoing Whitey Bulger trial in Boston is trying to make much of an Irish criminal code of honor.  What a great steaming crock of shit.  Yeah, like old South Boston was a bastion of honor and community spirit.   A federal prosecutor put it this way, “They kill their friends, they kill their girlfriends, they want to make themselves sound better than they are. Whitey’s code is, ‘I didn’t strangle the woman, I watched the other guy strangle the woman.’ ”   About any book by Dennis Lehane would disabuse you of the honor idea.


My journalist friend John Psaropoulos very recently posted an article on Al Jazeera and on his blog,, concerning a perceived  trend in Greece.  

“The situation is so bad, that two years ago the unemployed and inactive population together exceeded the number of people in work, which means that roughly one third of Greeks is supporting the other two thirds.  In the midst of what may be the worst peacetime collapse of a developed economy, many Greeks have decided to go back to the land.”  I responded. 

found your article on the return to the land interesting but this ‘movement’, if indeed that is what it is, is more of a culture/lifestyle story than an economic one.  Studies show that advanced capitalist democracies cannot sustain more than 5 percent of their workforce in the countryside without massive subsidies.  (  It’s boutique farming, something for the young and romantic with access to money.  Take your main example, Zanaras.   “He spent tens of millions of euros building a juice plant, financing the venture with his own savings as well as loans.”  Tens of millions.  How many people thinking of going back to the country can raise that kind of scratch?  You probably have enough digits to count them.  I’d say in actual numbers, most people are returning to their villages, or their grandparents’ villages, because they’ve lost their jobs in the city or finished their degree programs or given up and need a roof over their heads.  The cafés are full of them.  Their hands have never held a sappa or a klathera and probably never will.  Those tools are wielded by dark sub continental guys working for what would be impossibly low wages for a Greek.  You might say, well, sometime they’ll have to, but that ignores the pressure on wages, pressure that means that a Pakistani or Bengali, living in a hut with ten others, is always going to work for less than a Greek.   Kanellos, who scrambles and struggles to squeeze something out of olives, hires foreign workers because they’re faster and cheaper.  But there is some evidence of this migration, the competition in the farmers market in Sparti is fierce now and driving the prices down.  Everyone’s margin gets a little thinner.  More people raising tomatoes only makes it worse for those already doing it.  


We’re listening to Jacques Brel and Mirella sighs, “And his look, oh, I know the word in Greek, AR-hon-das, AR-hon-diah, let me look it up.  Distinguished, notable, a man of substance.  Yes, that’s about it.  Look, AR-ho-mania: lust for power.  And AR-hondo-horeeo-ee-AH-tees: vulgar well-to-do person.  No shortage of those.”


“Be luck available.”  Stephen Elliot
That’s what we must do here, loosen our loads, get light on our feet, be ready to improvise and, perhaps, sacrifice that the boat floats.  I’m reading J.M. Coetzee’s fictionalized memoirs.  In Boyhood he’s watching his father, whom he loathes, attempting to curry favor with strangers by buying them drinks.  I love buying my gang a round or two, but walking into a bar and buying the house a round has never appealed.  Billy Martin, combative hard drinking and successful manager of the New York Yankees, several times, walked into a Seattle sports bar while the Yanks were in town and announced, “Set ‘em up, the drinks are on George (Steinbrenner, the equally combative owner of the Yankees).”  Okay, you gotta love that.  Every bar is full of losers, even if they haven’t begun to lose yet.  That’s just the way it works.  We all lose.  What do we make of that?  Like a sun stunned wave splintering over rock our lives disintegrate and reform.  And nothing lasts.

Soon after you begin reading Coetzee, certainly one of the premier writers of English prose working today, you get the feeling that he must be a really weird guy.  This from Rian Malan, a fellow South African writer.

“Coetzee is a man of almost monkish self-discipline and dedication. He does not drink, smoke or eat meat. He cycles vast distances to keep fit and spends at least an hour at his writing-desk each morning, seven days a week. A colleague who has worked with him for more than a decade claims to have seen him laugh just once. An acquaintance has attended several dinner parties where Coetzee has uttered not a single word.”

Only an hour?  But he’s brilliant and can write like a muthafucka.  


“Era más hermosa que el sol         She was more beautiful than the sun
y yo aún no tenía 16 años.             and I wasn’t even 16 years old.
24 han pasado                                  24 have passed
y sigue a mi lado.”                           and she’s still at my side.

from Roberto Bolaño’s “Muse”

The Muse, when will she speak?  I was eighteen and drearily completing the last year of high school.  The school had determined that I only needed three credits to graduate and so my schedule was arranged that I attend school from 8 to 11 AM, and then vacate the campus as quickly as possible.  A partial rolling expulsion, if you will.  All because I was just too annoying.  Or maybe it was because the faculty wasn’t being paid enough to put up with my bullshit?  Either way, or both, and many more; though my crimes were merely verbal.  Me pater just chuckled and said, “Well, that means you can work all afternoon for me.”   He was a guy who had never had a free lunch and felt that putting your shoulder to it was the only way to move anything.  Just what you want to hear at eighteen.  Actually, worked out sweet as he paid he really well (combined with the lesson above, work should be rewarded) so I had jingle in my pocket, a car, alright, full disclosure, a convertible, oh shit, Happy-Fucking-Daze, especially if we could find someone to buy us some beer.  Nevertheless, I don’t harbor fond memories of my teenage years and the silly little town I found myself in.  It was something to endure.  Not that I felt superior.  There was nothing that would give me that idea.  It was all just dumb and dull and I felt dumb and dull.  If I’d been having lots of sex it might have all been different.  I’m not given to boredom and had, especially in those days, a vigorous fantasy life wherein I was certainly touched by greatness, and by lots of women, or, girls, rather.  But that’s just wheel spinning.  I didn’t read much, often not even the texts assigned.  But I had read All Quiet on the Western Front, on which an in-class essay was to be written as our final.  We had been studying the essay form with its introductory paragraph stating the thesis, followed by three supporting paragraphs and then a concluding one restating the theme, yadda yadda.  I sat at my desk and couldn’t bear the idea.  But I had enjoyed the book and its puncturing of whatever young male war fantasies I might have entertained.  War was a relentless meaningless horrible hell that continues long after the fighting has stopped, that’s what Remarque had written.  Fuck it.  I just started writing and what I was writing looked and sounded like poetry.  I’d hardly read any poetry either, Sandburg, Emerson, that kind of crap.  But this wasn’t anything like that.  This was a rolling rhythmical free verse wherein I attempted to channel what Remarque had written about the terror of combat.  Page after page I cranked it out till the closing bell.  Even managed to bring it to some conclusion.  I had no idea what I was doing.  None.  But I was, weirdly, doing what came naturally.  I felt pretty good handing that in.  It had nothing to do with what was assigned, I wasn’t demonstrating my knowledge of the essay form, but it had everything to do with the text at hand. 

A few days later my mother received what was to be her last call from a school concerning her son.  Twelve years of complaints and requests for meetings concerning my behavior came down to this last call.  It was from the head of the English department and my instructor that term, though he’d left most of the grunt work to a teacher’s assistant.  Before me mum could get out a what now? he began to tell her that although I had brazenly disregarded the prescribed formula for the test, I had managed to create a written work that was powerfully evocative and beyond his ability to critique.  I can imagine my mother going, Huh?  Next day I had a meeting with him where he repeated the above and then said, I can’t give you an ‘A’ because you didn’t follow the instructions but this work is so original, frankly, like nothing I’ve ever seen from a class, that’ll I’ll give you a ‘B’.  If you want an ‘A’ you’ll have to write the assigned essay.  Who did he think he was talking to?  I didn’t give a shit what the grade was as long as I passed.  I told him I’d take the ‘B’ and slid out the door thinking, what is this about?  You can humble your elders, get them to change their rules and cop big respect by whipping out the verse?  Wow.  It was time to start reading.

The Scottish poet Don Paterson, in his wonderful book of aphorisms, The Book of Shadows, says one should never sleep with one’s muse.  Nonsense, I sleep with mine every chance I get.

Tuesday, November 12, 2013

Jason Mashak


Red lights from the tracks
flash alternating currents
of thought as I feel

the woman beside me squirming
her perfect shape closer
pretending sleep

her thigh finally pressing
not my leg alone (unfortunate)
but the wallet in my pocket

her own uber-glossy purse
clutched in her hands like a husband
gasping for air

Matthew Stolte

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Displaying 4DoruChirodea_A_Water-500.jpg

Bob Phillips

drruine hoakes
semesong_ tooi closepeach toi_ mearns
seemps intout soseempk oit_ haever
empedia menpate_
i_i spayid asithis sdraededg_ theyi corresect_
spitterate laggoerd_ ifulmin_
empsculpae_ empursonaib rantureaxe_ shache seentcurs_
ruey_ madrache
eespee_ ontoe shueteese_
uousteemp_ toentit
piecashi_ titere cacasa_ sug

Ron Androla

I Have Nothing To Say

I have nothing to say because there is so much fire & radiation.

I have nothing to say as a smoldering lamb wraps upon my head.
I have nothing to say in the face of erupting hell-fire spontaneity.
I have nothing to say about mangled steering arms, charred tie rods.
I have nothing to say with steamy Jupiter visible before cold dawn.
I have nothing to say about the 21st century & Negative Capability.
I have nothing to say against injustice, especially in the flame arts.
I have nothing to say that a black dog is a cellular, green feline
Clutching wires over Raspberry Street like a hooked, gasoline balloon.
I have nothing to say to defend vacuous innocence. I have nothing to say
To you tho we, match-sticks, talk. I listen & I have nothing to say to deny
Time is satanic metaphor. I have nothing to say engulfed in hot, impeccable
Light, showered with a ton of lava ink. I have nothing to say from
A future human base on Mars, dust coats my tongue. I have nothing
To say, hunched, inside a cave 10,000 years ago. I have nothing to say
But that the bread is ash. The bread is ash. The goddamn bread is ash.

Monday, November 11, 2013

Braulio Arriagada

Imágenes integradas 1

Roberto Ncar

Lewis Gesner

furnishings rings playmates child cause to be it lived in stressed cartilage eight fowls form the dress pack walked forward with their hungry dent supports by placed in stacks arbitrarily and staggered plains be it an insertion of the sense where weights make cause to cleave laid out of strategy missed the mockery of the tumbler to the revelation studied the culminations holding bare value skimmed from the air concentration failing amplifiers are required reverts forward stomach glacial to the last rise in the left previously balanced fabricated with a wooden handle connected of the association the tests are with extractions and protests in the same yolk removed the feeling for responding weather struggles separated by the thick and isolating buffer snappy mouth of pincher jaw through the threadbare chest of the shirt and draws a red blister

or something other

Jim Leftwich


fiacihi soil
rigooiz stkio
 chsut aikon
gitsup all us up
  selftold bode teal
jewelry steelbodied bloated
yearly nearly april
 at jezbol solid
stolid stakeholder stuliddlr
/Jovis, izz

torch trash mile
spacewalk olympic propaganda
mississippi steelbodied swarm of
anapests O/Q
St Marks sfiu
ebiqk    uuz/uurz

faqt ut sofa solo
  elualp labl--u:=Nii
 Thirrs alarm ist alinmrll
reto twop ernins
jwoufwolf 1/5 /aAAtp
Chabouq barn

straay teiipe
ai ttata Sjxer
 annid lack ot
eiuwul astral Doppler Sponge
   strate is the gait
juvqpoteis fungu

Hats not elbows
 muta ull lotsa
eilborgergris  //
  Fhiili oghtes

  q   uq   Aiumttaiirras
qitoa  qulea  eel army Jimmy
 which wool on the Aura Away
civil knoo, kooj ouva
  parsley Jolt jolat fol

miqwi sautdin
  actvi awul fwuisan
ejouvt cireqots
   Jis pesoouv
    epoa upon marigold uqaph
foremost frosty forest fingers grassroots press
darkness drunken sun
Tripwire Tripod

puhaotic dmic
cxinkled iphorn
  winjis  spog
    ekpiceh muldouy
glittery jitters flood
terskicg yelong
 dew four
   copores awning crawling waxwing
delightful hydraulic
daughters of the April highway

8u<<th  thuth
  sulth tunkette junketic
 venth venh istatoss
tak yak albatross mbira embroidery
     Alaska orbits w/ potato
Arbitrary eggs over azure
a blistered listing of
return stuun and antirote
     Ofurg defunct
 deficit disjunkt
coach sandstorm clothing giveaway

ant amount softly entry gently gentry
  Albino dollars on the sive
stooh obis tligqs
adult eyeopening expressway picnic
Storybook Sabertoothed kindergarten
 punts robber hand
slimy over silver
thinking Big LEMONS Liberty
knit exits blink stinks lurch

juite narioiboe
brijjn voltage village
artifacts active at best
xuug olil dil
net nest rattlesnakes Lakes alias
Fine Finished Fishing sigils

pitiz eroon anoan
 5'll trendtrain frond
 srei redress/dediezs//
abscond incentives of Tuesday
cling not unto roads and rot
 Pava lava sli steel still seliuv/vii
Tezxqjt knibling
  jeth the stumpball
e<le cie is siv sisgiuv